Yesterday, we discussed how to use diminished passing chords a half step lower to transport us where we want to go.
Today, we’re going to cover how to use passing chords a half step HIGHER than the target chord. The only difference is we’re not using a diminished 7 chord this time. We’re going to use an altered…
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I promised yesterday to show you something else you could do with the 3-chord in “Amazing Grace.” As you learned on Thursday, substituting major for minor can sound much better at times. It doesn’t work all the time but it’s usually worth a try. If it sounds worse, you just revert back to using minor… it’s that simple!
The reason it works is because it’s sort of operating like a 5-chord temporarily…
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