• GMTC & Free Dvd Offer Temporarily Closed

    closedsmall.jpg
    Here’s a letter I drafted up. I want my dedicated blog readers to see it first. I’ll probably be sending it out to the entire mailing list next week…

    Read the full article →

    Happy Thanksgiving!

    happythanksgivingsmall.jpg

    Read the full article →

    24 hours to go! A sneak peak at the Gospel Music Training Center


    The website is up! Click here to get all the details about the free GospelKeys 102 I’m giving away! (Ordering link not active until 9am pacific / 12 pm noon eastern)

     

    This is a spy photo! It’s blurred intentionally but it’ll give you a general idea of the interface you’ll be using to learn all your favorite song patterns and more! Don’t forget to get on the back door list! This thing is going to be crazy, come tomorrow morning!

    Read the full article →

    Here’s the secret to soloing over dominant chords

    In Friday’s lessons, I talked about the “altered” scale (or super locrian mode) and how you can use it to solo over various altered chords.

    Today, I want to talk about another mode you can use to solo or improvise over certain chords.

    That mode is called “mixolydian.” (If you didn’t see my last post, it’ll really catch you up).

    gmixolydian.jpg

    Read the full article →

    This video will inspire you

    Read the full article →

    Who else wants to learn how to solo with the “altered scale?”

    In this past lesson, we covered the melodic minor scale. And in this past lesson, we covered the modes of the major scale.

    In today’s lesson, we’ll actually combine the two concepts…

    bsuperlocrian.jpg

    Read the full article →

    Here’s a way to multiply your chordal vocabulary… OVERNIGHT!

    If you’ve been following this blog for a while, you’ve seen several lessons on “inversions.”

    For those of you who don’t know, an inversion is simply a different way to play a chord. And here’s a simple rule to remember…

    The number of ways to “invert” a chord is equal to the number of notes in the chord!

    Read the full article →

    ← Previous Entries