• Intermediate Jazz Players: How To Practice Scales Over The 2-5-1 Chord Progression

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    I’ll be showing you (step-by-step) how to practice scales over the 2-5-1 chord progression.

    As an intermediate jazz player, you’re expected to be properly acquainted with traditional scales and modal scales and how they can be played starting from any note on the keyboard.

    You’re also expected to know the compatible scales that are specific for every chord (usually played on the left hand).

    But in this lesson, I’ll be taking you beyond the knowledge of scales and scale-chord compatibility to showing you the proper way to practice these scales over the 2-5-1 chord progression.

    Before we do so, let’s refresh our minds on the 2-5-1 chord progression.

    Quick Insights On The 2-5-1 Chord Progression

    In every major key, there are seven unique scale tones. The key of C major (as a reference):

    …has these seven scale tones and each of these scale tones can be represented or notated using the number system.

    “Check It Out…”

    In the key of C major:

    C is the 1

    D is the 2

    E is the 3

    F is the 4

    G is the 5

    A is the 6

    B is the 7

    In the number system, scale tone chords associated with every tone of the scale have their corresponding number. For example, the C major chord:

    …is considered as the 1-chord and that’s because C:

    …which is the first tone of the C major scale is associated with the “number 1” in the number system.

    “So, What’s The 2-5-1 Chord Progression?”

    The movement from one scale tone chord to another creates chord progressions.

    Chord progressions can be represented using the number system. The 2-5-1 chord progression is a movement between the chords of the 2nd, 5th, and 1st tones of major scale.

    So, the movement from the 2-chord to the 5-chord, then the 1-chord produces the 2-5-1 chord progression (either) in the major (or minor) key.

    “Let’s Play The 2-5-1 Chord Progression Using Seventh Chords…”

    Attention: All the examples that will be given are in the key of C major.

    The 2-chord is the D minor seventh chord:

    …the 5-chord is the G dominant seventh chord:

    …while the 1-chord is the C major seventh chord:

    Now that we’ve refreshed our minds on the 2-5-1 chord progression, let’s go ahead and learn how to practice scales over it.

    How To Practice Scales Over The 2-5-1 Chord Progression

    Before we talk about how scales can be practiced, let’s look at the three underlying modal scales for the 2-5-1 chord progression.

    Attention: Keep in mind that all the examples are in the key of C.

    The scale for the 2-chord:

    …is the Dorian scale:

    The scale for the 5-chord:

    …is the Mixolydian scale:

    The scale for the 1-chord:

    …is the Lydian scale:

    Final Words

    It’s important to start scales on the 1st, 3rd, 5th, and 7th tones — which are basically chord tones.

    We’ll look at how the use of guide-tones can help you take advantage of the playing of scales from chord tones.

    Thank you for your time invested in reading this blog and questions, suggestions, and comments are welcome and you can drop them in the comment section below.

    See you in the next lesson.

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    Hello, I'm Chuku Onyemachi (aka - "Dr. Pokey") - a musicologist, pianist, author, clinician and Nigerian. Inspired by my role model Jermaine Griggs, I started teaching musicians in my neighborhood in April 2005. Today, I'm privileged to work as the head of education, music consultant, and chief content creator with HearandPlay Music Group sharing my wealth of knowledge with hundreds of thousands of musicians across the world.

    Attention: To learn more about this, I recommend our 500+ page course: The "Official Guide To Piano Playing." Click here for more information.




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    { 1 comment… read it below or add one }

    1 Rene Calle

    Doc, will be eagar to read your lesson on guide tones. I think it will really help me with the JITC training I’m doing. (Still going strong on week 9/10 now!) JITC is giving me lots of tips on how to improvise over altered dominant chords, minor chords, and I understand all of the modes. I have practiced for months playing scales in all keys (major, minor, mixolydian bebop; harmonic, melodic, and dorian minor scales). I’m also familar with 2-5-1 and 6-3-2-5-1 patterns. I’ve tried to experiment with scale improvisation, but I end up sounding pretty “random” or like I’m just doing an exercise. I’ve read about guide tones, but I don’t know how to use to improvise. Hope your instruction can help. Cheers, Rene

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