Theory — Page 70

This Musician “GETS” It…

In reading through some of my recent e-mails, I found a message from someone who REALLY gets it.

***Comment From A Reader Who GETS IT***

Jermaine, doc, where have you been all my life? Since I purchased your GospelKeys 202 and have been reading through your online blog lessons and resources, they have really opened my mind up to the whole world of…

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Chord alterations, “add X,” half diminished 7 chords, and more…

Here is a question that came in from Chris Myhre:

Flat 9, flat 5, flat 7th… this stuff is confusing — and for that matter the ADD 9, ADD 5, ADD 6, and the #9, #5 as well. I guess I should also throw in the half-diminished chords, whatever those are. I’m still trying to figure it out. It all sounds beautiful but it seems that a #9 would be a minor note and a flat 7th is still just a regular 7th. It’s hard to understand why the notation has to be so complicated. Maybe things will become more apparent as I go along and learn more.

Anyway, I hope to understand more of this as I go along and I appreciate what you have done. God bless,

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Hi Chris,

Thanks for your question…

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Question: What does all this “flatted 3” and “sharped 5” stuff mean?

Yes, I’m back! (I’ll explain why I’ve been gone so long in a subsequent post but please come through and comment to let me know you’re still anxious about hearing from me… even though I’ve been gone for a couple of months. I apologize.)

(By the way, thanks for all your support. You have been tremendously supportive on our radio show, the new gospel music training center, our various product launches, etc. I appreciate you).

Well, since I’ve been helping out with e-mails lately (to make sure we keep response times under 1 day), I’ve had an epiphany. Why not take a question a day from the REAL e-mails that come in and elaborate on them? It makes it easier on me because I’m answering that e-mail anyway — now I can simply format it, expand it a little further, and post it on the blog for all to see. Works for you?

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