Gospel music — Page 2

A Lesson On Six Chromatic Variations Of The 6-2-5-1 Chord Progression

There variations of the 6-2-5-1 chord progression will give you fanciful turnaround progressions that you can spice up the end of a song with.

If you need to understand what the backdoor dominant chord is, where it’s derived, and how to form it in the major key, then this lesson is for you.

Let me take you by the hand and let’s explore the Lydian dominant scale and its dominant chord: the dominant thirteenth [sharp eleventh] chord.

Discover the Lydian flavor that every serious gospel and jazz musician must NOT be without.

This lesson on implied harmony will show you how intervals can be used to play a variety of seventh chord types.

I guarantee you that the 2-5-1 chord progressions we covered in this lesson (5 of them) will explode your chordal vocabulary.

Discover the left hand ideas that has helped (and is still helping) intermediate players out there to develop a “rock-solid” left hand.

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