Jazz music — Page 2

Jazz Musicians: “What’s The Most Unpleasant Interval You Can Play In Jazz Theory?”

This lesson will open your eyes to the most unpleasant interval in jazz theory; with 4 examples of scale tone chords where you can find them.

Let me take you by the hand and let’s explore the Lydian dominant scale and its dominant chord: the dominant thirteenth [sharp eleventh] chord.

Discover the Lydian flavor that every serious gospel and jazz musician must NOT be without.

This lesson on implied harmony will show you how intervals can be used to play a variety of seventh chord types.

I guarantee you that the 2-5-1 chord progressions we covered in this lesson (5 of them) will explode your chordal vocabulary.

In this lesson, you’ll discover the scale options for dominant chords that resolve to the 2-chord, 3-chord, and 6-chord in the major key.

Discover the left hand ideas that has helped (and is still helping) intermediate players out there to develop a “rock-solid” left hand.