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HearandPlay.com Monthly Newsletter
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Contents:
I. Welcome
II. Announcements
III. Online Classroom: "1 - 4 Chord Progressions"
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Dear Subscriber,
Hello there and welcome to a new edition of the "Chords & Progressions"
newsletter. This month's newsletter focuses on the different ways to transition
from the I chord of any key to its IV chord.
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Announcements
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Online Classroom: "1 - 4 Chord Progressions"
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Note: You might want to print this lesson out for easier reading....
The 1-4 chord progression is one of the most commonly used progressions in
gospel and blues music. In our 300-pg course, we cover several ways to play 1-4
chord progressions (http://www.HomePianoCourse.com).
In this lesson, I will show you a couple of ways to transition from a 1 chord to
a 4 chord. These techniques are taken from pages 292 and 293 out of my 300-pg
course...
1) Adding a Vmin9 -- I 9 / 6 Chord Progression:
This progression can always lead to the IV chord. I play it all the time! In C
major, this progression is: Cmaj - Gmin9 - C9 / 6 - F9
Don't worry about all the terminology like C9 / 6 as this is covered in our
workbook. Below, you will find the notes of each of the chords.
REFERENCE:
Cmaj = C + E + G
Gmin9 = F + A + Bb + D
C9/ 6 = E + A + Bb + D
F9 = Eb + G + A + C
Now ... try playing them giving the Cmaj and F9 twice the amount of duration
than the Gmin9 and C9 / 6 (pronounced "C minor nine with added 6th").
Cmaj Gmin9 C9/6 F9
How did it sound? If it worked out for you, try adding it to some of your songs
when you need to transition from any 1 chord (like Cmaj) to a 4 chord (like Fmaj)
... that is, just simply add a Gmin9 --> C9/6. And don't forget, the only REAL
difference between the Gmin9 and C9 / 6 chord is the lowered F to E.
For more information on these types of chord progressions, check out my 300-pg
"The Secrets to Playing Piano By Ear!" at
http://www.hearandplay.com/course or
http://www.hearandplay.com/ordernow.html
2) Add a IV#9 right before the IV chord:
If the IV chord is a dom9 chord, then simply add the dom9 chord a half step
higher to create a IV# 9 -- IV 9 progression. This sounds great in blues and
gospel music! For example, in C major, this is: C9 - F#9 - F9
REFERENCE:
C9 = Bb + D + E + G (this chord is inverted so that Bb is on the bottom)
F#9 = E + G# + A# + C#
F9 = Eb + G + A + C
... Try it!
C9 F#9 F9
>>> These two progressions can be used when you are in a situation that requires
a fill-in between a C7 or C9 and an F7 or F9 (or any 1-4 relationship in another
key). For more fills and progressions like the ones above, visit:
http://www.http://www.hearandplay.com/course
This concludes this month's lesson on "1-4 Chord Progressions." I hope you
enjoyed it and look out for our new GOSPEL PIANO VIDEOS!
AUTHOR'S NOTE:
As always, I couldn't get as "in-depth" into the material as I wanted to as I am
limited by space and multimedia technology in this e-mail. However, if you are
truly serious about learning to play the piano by ear or how to improve your
piano skills, I really encourage you to read about my 300-pg course& bonus CD
----
http://www.hearandplay.com/course
With 20 chapters and over 300 pages, the home piano course provides several
resources, techniques, tips, principles, and theories to playing the piano by
ear. Along with hundreds of chords and scales, you'll also learn how to turn
them into gospel, jazz and blues chord progressions and better yet, how to use
them to play ABSOLUTELY any song you want ... IN VIRTUALLY MINUTES! Again, don't
miss this opportunity. I've even added an additional bonus if you purchase the
course this week --- You can read more about the course at:
http://www.hearandplay.com/course
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Yours Truly,
Jermaine Griggs
http://www.Hearandplay.com
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