If you’ve been keeping up with my occasional “What Key Am I In” posts, then you’re probably familiar with the chords that correspond to the major scale.
For example, the C major scale is:
C D E F G A B C
1 2 3 4 5 6 7
Each one of these scale degrees has a chord that corresponds with it; a chord that is naturally created on each tone of the scale.
1 – C major 7
2 – D minor 7
3 – E minor 7
4 – F major 7
5 – G dominant 7
6 – A minor 7
7 – B half-diminished 7
This can be applied to any scale, not just C major.
1st tone – major 7
2nd tone – minor 7
3rd tone – minor 7
4th tone – major 7
5th tone – dominant 7
6th tone – minor 7
7th tone – half-diminished 7
So if you know all 12 major 7th chords, all 12 minor 7th chords, and all 12 half-diminished chords (which are also known as minor 7 b5 chords), then you can play these 7 chords in practically ANY key!
But that’s not what I want to talk about (you know I’m notorious for writing two blog posts in one… one that could be a lesson on its own, just catching you up to what I want to show you… and then the part of the post that actually shows you what I really want to show you… hehe! I’m sorry, I’m just addicted to making sure I’m very thorough and that no one gets left behind).
By the way, if you are totally lost right now, please click here.
—-
So is it true, Jermaine? If I know my major keys, do I already know my minor keys?
That is absolutely true!
What if I told you that you don’t have to learn anything new to play the chords of the minor scale? Well, that’s true and I’m going to show you how to shortcut your way to being a pro both in major and minor keys in no time!
What you MUST understand about minor keys
Minor keys come from major keys.
In fact, every minor key is related to a particular major key.
Every major key has a relative minor key and every minor key has a relative major key.
So, if you’re in the key of C major, how do you figure out what the relative minor of C is?
Just go to the 6th tone!
Boooooyyyyahhhhh! Done! Over! Simple!
Just go to the sixth tone, that’s it.
C D E F G A B C
1 2 3 4 5 6 7
The 6th degree of C major is “A” — so “A” is your relative minor of C.
If you were in the key of “A minor” and wanted to figure out its relative major, then you’d go to the third tone of the “A minor” scale and that’ll give you “C.”
So C is the relative major of A minor and A minor is the relative minor of C. That’s how that all works.
The circle of fifths (yes I know, I’m a big fan) gives you all the “major-minor” relationships you’ll need to know. Just look inside the circle and you’ll see what I’m talking about.
How does knowing the relative minor of a major key translate into playing chords of the minor scale?
Glad you asked!
If you know that, “A,” for example, is the relative minor of “C major,” then here are some things you need to know about their relationship:
- They share the same key signature. C has no sharps or flats in its key, nor does “A” minor.
- They share the same notes. There are no notes in C major that you won’t find in “A” minor and vise versa.
- They also share the same corresponding chords so if you know the chords for each tone of C major, then you already know the chords for each tone of A minor
In fact, if you don’t know already, you play an “A minor” scale by simply playing the C major scale from “A” to “A” rather than from “C” to “C.” Like I said, it shares all the same notes, just a different starting and ending point.
Well, if that is true, then you do the SAME exact things with the chords I taught you above.
C major scale with corresponding chords
1 – C major 7
2 – D minor 7
3 – E minor 7
4 – F major 7
5 – G dominant 7
6 – A minor 7
7 – B half-diminished 7
Now, let me do something… let me repeat these same chords from the C major scale but instead of stopping at B, the 7th tone, I’m going to keep it going for two octaves.
But I want you to pay close attention to it and you’ll notice something…
1 – C major 7
2 – D minor 7
3 – E minor 7
4 – F major 7
5 – G dominant 7
6 – A minor 7
7 – B half-diminished 7
8 – C major 7
9 – D minor 7
10 – E minor 7
11 – F major 7
12 – G dominant 7
13 – A minor 7
14 – B half-diminished 7
What you see bolded, my friend, are the chords of the A minor scale!
You just change your starting and ending points. You don’t alter anything else!
So with that said, let’s rewrite our chords now based on the minor scale, keeping in mind that all we did was take a chunk right out the middle of our major scale chords:
1st tone – A minor 7
2nd tone – B half-diminished 7
3rd tone – C major 7
4th tone – D minor 7
5th tone – E minor 7
6th tone – F major 7
7th tone – G dominant 7
Or, better yet, let’s apply this to any key:
1st tone – minor 7
2nd tone – half-diminished 7
3rd tone – major 7
4th tone – minor 7
5th tone – minor 7
6th tone – major 7
7th tone – dominant 7
So the next time someone tells you to play in a minor key, figure out the the relative major and you’ll find it a lot easier!
(Note: When you do this, you’re going to find that the 6th tone of the relative major scale seems to act as the tonic, the home base… and it should — because you’re in a minor key! Remember, with my tips here, you’re just thinking in terms of the relative major key to make things easier for you rather than tackling minor scales and chords from scratch).
The first 11 to write out the other 11 minor scale chords will get a chance to win any of our courses! Just post a comment below and I’ll randomly pick a winner once I receive all 11 minor scales and their chords. If someone has already done a scale and its chords, you have to do a new one or you won’t qualify.
Until next time!
Update:
Winner of contest is Freddy, comment #8!
(see live video of how winner was picked)
Related posts:




{ 59 comments… read them below or add one }
F# minor scale
1st tone – F# minor 7
2nd tone – G# half-diminished 7
3rd tone – A major 7
4th tone – B minor 7
5th tone – C# minor 7
6th tone – D major 7
7th tone – E dominant 7
@Akay! You’re in buddy! Thanks for being on the show the other day. I listened to the recording and you were hilarious… especially when you said: “I know the modes, I just don’t know which is which.”
so if there is a question on this next week, I know you’ll be ready Akente (I hope I spelled your name right).
All the best,
JG
yeah, I noticed you mentioned my name as Akente, instead of Akwete.
just a.k. (without the 47, lol) works most of the time. so most ppl just call me a.k. actually!
I listened to the show too, and I had a good laugh. definitely looking forward to next week.
akwete
@akwete a.k.a “AK” – I stand corrected! See ya next week!
C minor chords
Cminor7
D half-dim 7
Eb major 7
F minor 7
G minor 7
Ab major 7
Bb7
Cminor7
Ms faye… you’re #2! Great job
Hi!
Here’s the D minor scale with corresponding chords:
1st tone – D minor 7
2nd tone – E half-diminished 7
3rd tone – F major 7
4th tone – G minor 7
5th tone – A minor 7
6th tone – Bb major 7
7th tone – C dominant 7
Cheryl
@Cheryl – thanks! You’re #3… 8 more to go…!
Come on folks!
E minor scale
1st tone – E minor 7
2nd tone – F# half-diminished 7
3rd tone – G major 7
4th tone – A minor 7
5th tone – B minor 7
6th tone – C major 7
7th tone – D dominant 7
Johannes
@Johannes: you’re #4
7 more to go!
Come on! Who wants to possibly win a free course? The odds will be one out of 11 which are pretty high!!!!
1ST TONE G MINOR 7
2ND TONE A 1/2 DIM 7
3RD TONE Bb MAJOR 7
4TH TONE C MINOR 7
5TH TONE D MINOR 7
6TH TONE Eb MAJOR 7
7TH TONE F DOMINANT 7
MIN. BRIAN “TRUMUSIC1SOUL” POWELL….SORRY I’M LATE GUYS…HAD TO PLAY GRANDADDY AT MY DAUGHTER’S GRANDPARENT’S DAY LUNCHEON….DIDN’T FORGET MY TEETH :)
MUCH NEEDED POST…LEARNED ALOT
MR. JERMAINE…THANKS FOR KEEPING IT SWEET AND SIMPLE
….A.K. …..WASSSSSSUUUPPP, YOU GOT TO REPRESENT TUES.
Hi
B minor scale with chords (I hope)
B minor 7
C# half-diminished 7
D major 7
E minor 7
F# minor 7
G major 7
A dominant 7
Gavin
SO WILL A “G MINOR PENTATONIC SCALE” BE…
1ST….G MINOR 7
b3RD…A MAJOR 7
4TH….C MINOR 7
5TH…D MINOR 7
b7TH….E DOMINANT 7…….?….DOES THE SAME CONCEPT WORK FOR ALL THE SCALES? JUST WONDERING!!!!
Bb minor scale
Bb minor7
C half-dim7
Db major7
Eb minor7
F minor7
Gb major7
Ab dominant7
Bb minor7
Wow, got a storm of comments all at once.
@Bryan: You’re in! #5 to post correctly!
@Gavin: You’re in! #6 to post correctly!
@Michael: You’re in! #7 to post correctly!
4 more keys to go! whhhhhooooooooooooooooop wooooooooooooooooooop!
@Bryan:
For the minor pentatonic, it’s the same concept but I think you may have used the wrong notes.
First, find out what the relative major of Gminor is. It’s Bb major. So basically, you want to know the Bb major pentatonic scale first.
Pentatonic scale uses: 1 – 2 – 3 – 5 – 6 (five notes, thus “penta”tonic)
So in Bb, it’s:
Bb C D F G (and back to Bb)
So in G minor, it MUST have those same notes, just rearranged so G is on the bottom.
G Bb C D F G
Notice also that the G min pentatonic is basically the blues scale with one missing note (the Db).
So all these things are related sir! Everything!
And if you wanted to find out the chords that go with each one of those tones, you could then apply the chords like you did (but make sure it’s to G, Bb, C, D, and F).
Let me know if this helps bryan!
Bryan, looking back at your post… I see what you did… you used the notes of the G major pentatonic scale rather than G minor.
When it’s G major pentatonic, yes, its: G A B D E
But when it’s G minor pentatonic, it relies on Bb major (the relative major) and therefore it’s: G Bb C D F G
F MINOR SCALE
1 ST TONE F MIN. 7th
2 ND TONE G HALF-DIM 7th(-7b5)
3 RD TONE Ab MAJ. 7th
4 TH TONE Bb MIN. 7th
5 TH TONE C MIN. 7th
6 TH TONE Db MAJ. 7th
7 TH TONE Eb DOMINANT 7th
@Freddy! Thanks! You’re in at #8. I need three more and we’ll pick a random winner. I’ll record the random selection on my computer so you guys can see it live and in color ;)
G minor scale
G minor7
A half diminished
Bb major7
C minor7
D minor7
Eb major7
F dominant7
G minor scale
I NEEDED TO DO THIS OVER I MISS THE A HALF DIMINISHED7 HOPE THIS IS RIGHT
g minor7
a half diminished7
bb major7
c minor7
d minor7
eb major7
f dominant7
APPRECIATE THE CLEAR UP…I THINK I UNDERSTAND THE CONCEPT NOW…I’LL BE WORKING ON IT…..WORKING ON THAT 30%….THEORY
THANKS
COME ON YA’LL 3 MORE TO GO….DON’T BE SCUUUUUUUURRRRED!!! :D>
AYE TEACH!,
IN GOSPEL MUSIC, DO WE EVER USE THE MINOR PENTATONIC HARMONIC SCALE CHORDAL WISE,…IF I’M MAKING ANY TYPE OF LOGIC OUT OF IT. OR IS IT MORE COMMON IN ANOTHER GENRE. JUST TRYING TO SEE WHERE TO GO TO HEAR AN EXAMPLE OF A SONG OR PROGRESSION BASED ON IT’S FORMAT.
CHAWK HURRY AND CHOOSE ANOTHER KEY BEFORE SOMEONE ELSE DOES…LOL SCROLL UP :)
NEW POST DIDN’T KNOW G MINOR WAS TAKEN MY BAD
G# MINOR
Ab minor7
Bb half-dim7
B major7
C# minor7
Eb minor7
E major
F# dominant7
Brian I notice you had my g minor, but i hope i’m good
@chawk.. thanks for posting and re-posting the newer key (G#).
I can’t accept it, however, because you titled it G#, yet you used the notes of the Ab scale.
Hint: G# is easier to use than Ab minor.
If you were to repost it as Ab minor, you would need to use these notes because there is no “B” in Ab minor.
Ab
Bb
Cb
Db
Eb
Fb
Gb
Ab
That’s why it’s easier to use G# minor:
G#
A#
B
C#
D#
E
F#
G#
If you can put the right chords to either, then you’ll be the 9th person and we’ll have 2 more left…
Ab minor
Ab minor 7
Bb half dim7
C major7
Db minor7
Eb minor7
F major
G dominant
Ab
G# minor
G# minor7
A# half diminished7
B major 7
C# minor7
D# minor7
D# major7
E dominant7
Here’s a good tip to remember since Chawk used Abminor instead of G# minor.
Chawk (see above), Ab minor can be used but it’s more common to see G# minor (just like it’s more common to see Ab major rather than G# major). So that’s where the other side of the black keys (the “sharp” names) get used — usually in the minor keys.
But just remember. Relative minor and relative majors share the same key signature.
So if B is the relative major and it has 5 sharps, then the relative minor must be G# because the key of Ab minor wouldn’t have 5 sharps. In order to use Ab minor, then the relative major would have to be Cb major. Cb major has 7 flats (pretty much every key is flat).
That’s why you get a flat on every tone of the Ab minor scale I posted up there:
Ab
Bb
Cb
Db
Eb
Fb
Gb
Ab
So if the major key is sharp, then the minor key is sharp.
G# minor
G# minor7
A# half diminished7
B major 7
C# minor7
D# minor7
E major 7
F# dominant7
this stuff is hard but i’m learning alot
@chawk. That is correct. YOu are #9
This way is more correct. It may have been informally that way when written 7 years ago but in the rewrite, everything will be strictly this way. Again, in playing by ear, we tend to be very relaxed calling Ab, G# and vise versa. But on a hardcore music theory test, you’d get in trouble :).
Thanks,
JG
I see really there is no ab minor, and I don’t see it on the circle of fifth chart. So I guess that’s why it would be called g# minor
technically, there is Chawk but it’s just more common to see G# minor and Ab major rather than the opposite.
Thanks JG for the lesson. Things are now starting to make sense. I have been struggling with this for some time but now I am beginning to get it slowly.
Hey thanks JG for the lesson. I have been strugling with this a lot but i think now things are starting to make sense. I am slowly grasping.
Could the C#MINOR be this?
1 C#minor7
2 D#half-diminished7
3 Emajor7
4 F#minor7
5 G#minor7
6 Amajor7
7 Bdominant7
8 C#minor7
@Eresmas: You’re right on the money! You’re #10
So including my example minor key and the 10 comments, we’re waiting for just one more…
(The hardest part is figuring out what key is left) … :)
Somebody? Anybody? One more…
Eb Minor
Eb minor 7
F half dim 7
F# major7
Ab minor7
Bb minor7
B major7
C# dominant7
Eb minor
Eb minor7
Gb half dim7
F# major7
Ab minor 7
Bb minor7
B major7
Db dominant7
Eb minor
One more time
Eb minor7
F half dim7
Gb major7
Ab minor7
Bb minor7
B major7
Db dominant7
@Jennifer… try these notes:
Eb
F
Gb
Ab
Bb
Cb
Db
Eb
Eb minor
Eb minor 7
F half diminish7
Gb major7
Ab minor7
Bb minor7
Cb major7
Db dominant7
D# minor
D# minor7
E# half-dim 7
F# major 7
G# minor 7
A# minor 7
B major 7
C# dom 7
D# maj 7
Did i make it in time?
@jennifer: Congrats you’re the last person to make it!
@Chris: sorry, you were one person too late :(. There’s always next time so stay tuned.
Winner is Freddy, answer #8
(see live video of how winner was picked: http://www.ustream.tv/recorded/695577 )
Hey man, thanks, at least i got right. That’s what matters most to me.
Jermaine, I saw this yesterday and spent most of the afternoon writing out all the 7th chords (symbols and notes) in both Major and Minor scales. That’s a total of 30! It is much too late to submit, but the exercise was an excellent learning tool. Now I will practise them on the keyboard until I attain some level of proficiency. Thanks for the stimulation. Guess the time that I spend on the computer could be better used at the keyboard, but I find the postings enlightening, despite the fact that I have the book. God Bless!
You could try this out:
http://www.theguitarmaster.co.uk/staticpages/index.php?page=interactive-circle-fifths
It helped me get to grips with the theory and is great for helping me to practice modes, key changes and improv when I’m practicing. It’s an awesome tool!
hello?………………………..
please how can i get some free note based on f-keys.cos am in short of the note. i just want to know about keyboard. thanks………
it’s good and nice.
i,m a beginner, i would like to know , when you are using both hands and middle c is to be used both at the same time , how is that done? do i move to another octive? thank you bonnie
@Bonnie: If the chord specifically calls for them to be connected that close, you just choose which hand you want to play the note with. A lot of things happen like this, especially when you are playing two smaller chords right together. Like if you played C+E+G (c major) on your left hand and G+B+D (g major) on your right hand, the G’s would meet. You just either choose your left or right hand to play it. Moving up an octave might not work because you’ll get a totally different sound. And you don’t want G twice… just once unless stylistically, you’re trying to emphasize G or something. Get it?
Could you do a lesson on the chords of the harmonic minor scale…..?????? I know they aren’t used in gospel music much but some in your audience have a wide range of taste and I personally would benefit from you breaking that down in the really plain spoken but insightful style of yours…..You are a good teacher….thats a gift from heaven…
Yes, I’ve covered those at:
http://www.hearandplay.com/main/have-you-learned-these-harmonic-minor-seventh-chords-yet
http://www.hearandplay.com/main/warning-play-these-harmonic-minor-chords-at-your-own-risk#comment-101135
Just awesome Jermaine, what you’re doing up here… Thanks alot. Please i would like to ask this question that has been torturing me for a while here. What does this means for example: Eb2? Each time i see it i’d pause for awhile. I know recently u taught about sus2 & sus4 which I really understood v-well. But, honestly speaking I don’t know what Eb2 means, pls can u explain Sir? Thanks
Obinna,
The quickest response to a question in hearandplay history… :-)
I answered it with today’s blog post:
http://www.hearandplay.com/main/ask-jermaine-what-are-major-2-chords
{ 4 trackbacks }