Wow, what can I say…

I think I’ve started something here…

The last few weeks, I’ve been trying out a new format
by taking really good questions from students and not only
answering them personally, but sending them to our entire
mailing list.

This has resulted in a lot of love — and even MORE
questions from dedicated students all around the world. I’ve
received at least a good couple hundred questions that could
easily keep me busy sending responses like this for years…

But here’s one that made the top of the list. I think
you’ll really be helped by my reply to Tyler. It’s long but
packed with details. About 5 lessons in one.

PRINT THIS OUT because it really is *that* important.

——————–

***Comment From Tyler N***

Hi Jermaine,

Dude, you are incredible. Your knowledge of theory is on
another planet. Thanks for what you do man, for real.

I’m trying to learn all 12 keys and I happen…

Popularity: 47% [?]

After last week’s e-mail, I received a host of replies. Here’s one that I think will really help you (VERY IMPORTANT STRATEGIES).

***Comment From Kelly W.***

Hi Jermaine,

Thanks for sending such an informative e-mail. I feel like you give so much through your website, blog, and e-mails (maybe too much). Do you ever sleep?

Well, here’s another e-mail to add to your insomnia. :-)

You mentioned the number system and how it is key when it comes to

Popularity: 48% [?]

So this isn’t going to be easy but if you’re committed, you can learn to play in ALL 12 keys… not just one. I’ll lay out 2 ways to do it. One way, I learned about 16 years ago and still use at times. The other way is more involved, but will help your understanding of music a lot better…

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To “transpose” a song, melody, chord, or progression is to play the same exact sequence of notes and intervals in another key.
In other words, if I were to play a chord progression like “C major — F major — G major” in the key of C major, by transposing it, I can play the same […]

Popularity: 12% [?]