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3 simple ways to use diminished seventh chords

by Jermaine Griggs · 12 comments

in Chords & Progressions

The diminished seventh chord can come across as scary (and it certainly has its place in horror flicks) but there are actually quite a few usages for it.

In this post, I want to talk about different ways to use the diminished seventh chord in real-life situations.

1) Use a diminished 7 chord as a transition to any 2-chord.

As you know from past lessons, the 2nd tone of the scale is usually minor. It has a strong pull to the 5th chord. Thus, where we get the name “2-5-1″ progression.

Well, you can use the diminished 7 chord a half step lower than the 2 chord as a nice little transitional chord.

Let’s try it in the key of C major…

C# diminished 7

D minor

 

 

2) Use a diminished 7 chord on the 6th tone of the scale (also takes you to a 2-chord).

Alternatively, instead of playing C# as your bass on the first chord, you can use “A” (which is the 6th tone in the C major scale). This also has a strong pull to “D” (see prior lessons on the “circle of fifths“.)

With the “altered bass,” this gives you an A7 (b9) chord (a.k.a. – “A dominant seventh with a flatted 9″)

A7 (b9)

D minor

 

 

3) Use a diminished 7 chord in between a 4-chord and 5-chord.

This happens a lot in blues and jazz. A song will go to the 4-chord and follow up with a diminished 7 chord a half step higher… which usually leads to a 5-chord.

Here’s an example in C major:

4-chord: F dominant 7

#4-chord: F# diminished 7 (sharp 4)

5-chord: C major / G (a.k.a. – “6-4 chord“)

Note: Sharps and flats are mixed intentionally. This has a lot to do with properly naming chords. See these two lessons for details).

Exercise: I’ve started you off with 3 scenarios. Where are other places you use diminished 7 chords? Let’s try to make a nice little list with examples.

Until next time —

Related posts:

  1. Don’t be “skerrrrred” of diminished chords
  2. Have you learned these harmonic minor seventh chords yet?
  3. Seventh Chords
  4. Do you use secondary dominant chords?
  5. Easy to Ways to Remember Large Chords
  6. Opening and closing your songs with “2-5-1″ progressions!
  7. The “What Key Am I In” Game 1

{ 12 comments… read them below or add one }

1 Neil

really liked this quick lesson. I gotta practice these

Reply

2 Roland

We might make use of it going around the circle,as from a previous lesson.
i.e. starting in key of C:
C maj7 C/B E
C#dim7 C#/Bb E G
Dm7 D/C F
G7 G/B F
Cmaj7 C/B E
——————-
New key Bb
Bdim7 B/Ab D F
Cm7 C/Bb Eb
F7 F/A Eb
Bbmaj7 Bb/A D
——————
etc. etc. around the circle

Reply

3 Roland

As dominant function chord (Bdim7) leading to the Imaj9 chord.
e.g.

Cmaj7 C/B E
Dm7 D/F C
Bdim7 B/F Ab B D
Cmaj9 C/E G B D
——————-
Cm7 C/Eb Bb
Adim7 A/Eb Gb A C
Bbmaj9 Bb/D F A C
—————–
etc…etc
Awesome sounding progression!

Reply

4 Lucion

Great Lesson!!!!

Reply

5 Joe Washington

Diminished 7th chords make great arpeggios (even bassline and keyboard runs), try and see. TIP: Takes Practice.

Reply

6 MS

Very informative lesson, Jermaine. Could you explain the 5-chord (G) above? I cannot understand why you have C.E.G in the right hand. I was able to follow the other chord constructions.
By-the-way, what is that Ab minor 7th chord above? I am lost on that one!

Reply

7 widmarck francois

That is some great lessons but it would have better if they were demonstrated in a song and on a video.Thank you!I like it anyway.

Reply

8 connie

when is the next radio lesson? waiting patiently. thanks for the diminished chord lesson. I dont understand the 5 chord either with c.e.g in right hand just like M.S.

Reply

9 Raydon

I hereby do request to be assisted on how to form, use and applly the following CHORDS in piano playing;

a) Tertiary Chords
b) Secundal Chords
c) Quartal Chords
d) Quintal Chords

Thank you

Reply

10 Bo Carneal

You lost me on the Cmaj 1 4 5 progression

should be: C maj F dom7 F#dim7 Gmaj

Reply

11 Mark

I see it but I need to hear it!!!

Reply

12 i play as we go

am so glad to play or use the 7th chord

Reply

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