HearandPlay.com Monthly Newsletter --- May 2004!
http://www.Hearandplay.com
Serving 68,464 Musicians
Worldwide!
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Contents:
I. Welcome
II. Exciting
Announcements!!!
III. Online Classroom:
"The
7-3-6-2-5-1 Progression and How to Use It!"
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Dear Subscriber,
Welcome to May's
newsletter! We've been exploring chord progressions all year having started
with the basic "5-1" progressions in January. From "5-1," we explored "2-5-1,"
"6-2-5-1," and "3-6-2-5-1" progressions in February, March, and April. The
final progression of the series is the "7-3-6-2-5-1!"
Now... don't let the
numbers scare you. They're simply taken from major scales. If the C major
scale is:
C (1) --- D (2) ---
E (3) --- F (4) --- G (5) --- A (6) --- B (7) --- C (8)
... then a "2-5-1"
progression is some type of "D" chord (2) to another type of "G"
chord (5), resolving finally to a "C" chord (1). Refer to
February's newsletter
for further details on what types of chords to play.
Also, one progressions is
not better than the other; rather, they all contribute to the songs
that you hear every day, whether gospel, jazz, blues or rock. Each
progression has its own role.
So a "5-1" can be just as
powerful as a "7-3-6-2-5-1." In fact, the "5-1" progression is in the
"7-3-6-2-5-1." You use each of these progressions at different points
in a song.
For example, if you have
my GospelKeys 300 video
course, you know where to find the "7-3-6" progression (refer to tape 1, part
C).
So, let's get started with
the "7-3-6-2-5-1" progression as this is one of my favorite progressions to
play!
----------------------------------------------------- Exciting Announcements! ----------------------------------------------------- HearandPlay.com Chatroom: Visit: https://www.hearandplay.com/chat every Monday and Thursday night as I answer your questions, share new chords and progressions, and help you to overcome any issues you're facing. HearandPlay.com Toolbar: Visit http://www.hearandplaytoolbar.com to download our free internet toolbar. This tool will allow you to access every resource section on our site ... INSTANTLY!
------------------------------------------------------------------------------- Online Classroom: "The 7-3-6-2-5-1 Progression and How to Use It!" -------------------------------------------------------------------------------- Note: You might want to print this lesson out for easier reading... Let's get right to work with this month's online classroom. In the past, I've given you one-fingered bass notes to play on your left hand. In this lesson, I will give you three-fingered left hand voicings so that you'll get used to playing "bigger" chords. These progressions will also be in the key of Db major: NOTES IN PARENTHESIS ( ) DON'T NECESSARILY HAVE TO BE PLAYED IF YOU CAN'T REACH THEM. #1
After the "1" chord, it is common to go to a "4" chord: Left hand: Gb + Db + F / Right hand: F + Bb + Db or... Left hand: Gb + Db + F / Right hand: Bb + Eb + F Bb
#2
This concludes May's Online Classroom Lesson If you were intrigued by the online classroom lesson above, then you would definitely benefit from my course! *** “The Secrets to Playing Piano By Ear” 300-pg Course *** With 20 chapters and over 300 pages, the home piano course provides several resources, techniques, tips, principles, and theories to playing the piano by ear. Along with hundreds of chords and scales, you'll also learn how to turn them into gospel, jazz and blues chord progressions and better yet, how to use them to play ABSOLUTELY any song you want ... IN VIRTUALLY MINUTES! Again, don't miss this opportunity. I've even added an additional bonus if you purchase the course this week --- You can read more about the course at: https://www.hearandplay.com/course ------------------------------------------ Enjoy this edition? Visit our message board and let us know! http://board.hearandplay.net Please Let a friend know about HearandPlay.com! PLEASE FORWARD THIS NEWSLETTER TO YOUR ENTIRE E-MAIL ADDRESS BOOK. ------------------------------------------ Yours Truly, Jermaine Griggs www.HearandPlay.com
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